Title of the book :
I will explain only chapter 3 the title ” Structuring and Delivering Your
Lessons”
Author :
Doung lemos
Genre of the book :
Education
Publication date :
2010
Number of pages :
39 pages
Level of difficulty : On a scale of difficulty is 5 medium because
something i fond new vocabulary.
Summary :
Chapter 3 – Structuring
and Delivering Your Lessons
Champion
teachers plan a deliberate progression in their lessons in which the responsibility
for being able to do the work is gradually transferred from teacher to student,
sometimes known as “I/We/You.” Some peopleknow it as direct instruction, guided
practice, and independent practice. The “I” part of the lesson is when the
teacher introduces information or models a process and walks students through
examples. The “We” follows when the teacher asks students to complete examples
with less and less assistance. In the “You” part, students have multiple
opportunities to practice the work on their own. What is challenging is
deciding when to move to the next step. In some classes students do independent
work before theyare ready and in others, the teacher does all the demonstrating
without giving the students a chance to practice independently. Below are some
techniques to help with this progression.
“I”
Techniques
Technique 12: THE HOOK
–When appropriate, use a short, engaging introduction to excite students about
the material. You can use a story, an analogy (single replacement bonds in chemistry
are like dancers choosing partners), a prop (a globe and a flashlight to show
the earth’s rotation), a challenge (“See ifyou can translate this Shakespearean
line into plain English!”), or other hooks.
Technique 13: NAME THE
STEPS –Champion teachers help their students learn complex skills by breaking
them down into steps and often naming those steps. Giving the steps a name
helps students recall those steps. For example, to help students learn to make
an inference, one teacher broke this down into three steps (figure out the
context, look for an appositive –a restatement of the word’s meaning in the
sentence, and find relationalwords –like and, but, and because.) Then to make
this more memorable, more “sticky,” she used the acronym CAR for the three
parts and made up the phrase, “To gather the clues, you’ve gotta drive the
CAR!”
Technique 14: BOARD =
PAPER –In addition to teaching content and skills, teachers need to teach how
to be a student. In this technique, the teacher models for students on the
board how they should take notes. You start by making the board a mirror image
of their papers, and then as students grow they learn to make decisions about
how to take notes and what to include.
Technique 15: CIRCULATE*
–Move around the classroom to both engage students and hold them accountable.
Don’t expect proximity to be enough. It’s important to move strategically
throughout the entire classroom, continue to face the class as much as possible,
and to engage when you circulate. Assess and respond to student work as well as
check for understanding.
“We”
Techniques
Technique 16: BREAK IT
DOWN –When students don’t understand, break down the material into its parts to
focus on the problematic area. Champion teachers don’t simply repeat the
question, they think about the part of the material that most likely caused the
confusion and ask smaller, simpler questions about this part. The goal is to
provide the smallest hint possible and do it quickly. This is a challenging
technique and it is best to prepare for this during planning by considering
possible wrong answers and cues to use for those errors. There are many ways to
break down the material, such as the suggestions below:
• Provide an example. If asking for the
definition of a prime number, provide an example, “7 is one, but 8 is not.”
• Provide context.To help a student who does
not understand ancient, “I hope nobody ever calls me ancient.”
• Provide the missing (or first) step. “What do
we always do when the numerator is larger than the denominator?”
• Eliminate false choices.“If it were a verb,
it would be an action. Is owneran action?”
Technique 17: RATIO –To
help students do moreof the cognitive work (instead of the teacher) use
techniques such as feigned ignorance (“Wait, I can’t remember what’s next”),
involving students when you are at the board (“6 plus 8 is what, Sarah?”),
having students explain why and how, asking students to support answers with
evidence, and asking students for more rigorous thinking by providing an
additional example or a more precise and richer answer.
Technique 18: CHECK FOR
UNDERSTANDING –Good drivers check their mirrors every five seconds. It would be
far too costly to wait for an accident to learn what they are doing wrong.
Teachers also need to check for student understanding frequently while they are
teaching to avoid the costly result of waiting until a final assessment. First
you need to gather the data, then you need to respond to that data to insure
learning occurs. Gathering Data –Traditionally, a teacher would ask students to
name a cause of the Civil War and three students would get it wrong and the
fourth one would get it right. The teacher would think, “Oh, good they finally
got it.” However, the champion teacher thinks, “Only one of four students
understands this, I need to circle back.” By samplinga smaller group of students
who are representative of the larger group, teachers can learn about student
understanding. It is important to ask severalstudents at different ability
levels for an answer to provide enough data. To insure your data is accurate,
you should also check for reliability(do students get the answer correct
several times in a row) and validity (is the question measuring the type of
material you are ultimately responsible for). There are two ways to gather data
–by asking questions, and through observation. To observe, circulate and look
for the number andtypes of errors students are making. Consider tracking this
data on a sheet of paper for later reference. Another way to observe is to use “slates”
(paper or dry erase boards) for students to hold up their answers so you can
check for understanding. You can also use nonverbal methods to gather data as
well, such as, “Hold up one finger if you got answer A and two fingers if you
got B.”Responding to Data –Teachers are usually better at checking for
understanding than responding to the data. However, thisis the crucial second
part. There’s no sense in continuing on if students don’t understand. It’s
vital to stop and correct the misunderstanding, and only then move on. A lack
of understanding that continues for hours or days is only more difficult to
correct. Instead, the champion teacher stops and reteaches the material in a different
way, reteaches the problematic step (“I think we’re struggling when
we get to
remainders.”), identifies the challenging terms (“I think the term
denominatoris giving us some trouble.”), reteaches at a slower pace, or
identifies struggling students (“Push ahead in your packets while I work with a
few of you up front.”).
“You”
Techniques
Technique 19: AT BATS
–In baseball, to perfect your swing, you need as many “at bats” --or practice sessions
batting –as possible. In the same way, students need lots and lots of practice
to master a new skill entirely on their own. Also make sure students can solve questions
in various formats. Because some students reach mastery more quickly, have
bonus problems to push those students further.
Technique 20: EXIT
TICKET –By collecting answers to one or a few questions at the end of class you
can gather important information about student understanding. What percentage
of your students got it right? What mistakes were made? What in your lesson might
have led to the confusion? This short assessment provides critical insight and
helps in designing the next day’s lesson.
Technique 21: TAKE A
STAND –This technique gets students to actively make judgments about their
peers’ answers. “Stand up if you agree with Alexis” or “Thumbs up if you think
Dashawn is right.” The answers will help to inform your teaching, especially if
you ask students to defend their answers, “Why is your thumb down, Keisha?”
0 komentar:
Posting Komentar